INFERNO__Dan Brown

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Also See:
Dan Brown's:
The Da Vinci Code
The Lost Symbol
Angels and Demons
Digital Fortress
Other Books:
The Oath Of Vayuputras
Rich Dad Poor Dad
The Alchemist
The Fountain Head
CHETAN BHAGAT COLLECTION

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APGAR Score

So, what is Apgar score?  Why is it used? These are the common questions which arise in the minds of the parents who are blessed with kids for the first time. So, this article about Apgar score will tell the importance of Apgar score and its usage.

The Apgar score was developed in 1952 by an anesthesiologist named Virginia Apgar. Apgar score is the very first test which is given to a new born. The test was designed to quickly calculate a newborn’s physical condition and to conclude need for extra medical or emergency care.
A - Appearance (skin coloration)
P - Pulse (heart rate)
G - Grimace (medically known as "reflex irritability")
A - Activity and muscle tone
R - Respiration (breathing rate and effort)
The test is usually given twice to the baby: once at 1 minute after birth and again at 5 minutes after birth. The above 5 factors are evaluated and are cored in the scale from 0 to 2.

Factor	0	1	2
Appearance	Skin is pale blue	Body is pink and the extremities blue in color	Entire body is pink
Pulse	Not breathing	Beats per minute less than 100	Beats per minute greater than 100
Grimace	No reaction	Lacking strength to cry	Cough, sneeze, vigorous cry
Activity	Muscles are loose and floppy	If some muscle tone	If there is active motion
Respiration	Not breathing	Slow and irregular	Cries well

The Apgar rating is based on the total score of 1 to 10. The higher the score, the better the baby is doing after birth.
A score of 7, 8 or 9 is normal and is a sign that the newborn is in good health. A score of 10 is very unusual.

                                                                                           Guest Post By:

                                                           Divya Singaraju

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TANGLED MYSTERIES OF THE UNIVERSE

   
Just close your eyes for a moment, forget everything and think of our UNIVERSE. 
What is it? 
Where has it come from? 
How is it balancing in an empty space? Gently raise your head and gaze towards the beautiful dark sky, isn't it amazing? 

Let us know about one of the mysteries of the universe this week. Let us start by asking question to ourselves. Do aliens exist? First think, are we considered as aliens to other life forms in this gigantic universe? Let us explore and unravel the mysteries of our universe.
Do you think our sun is stable?
The answer is no.
There are many galaxies existing in space. Ours is just one among them. many solar systems like ours. Our galaxy name is Milky Way. It looks like a pan cake with a bulge in the middle when it is viewed from an edge.

But when it is seen from top it looks A galaxy is a combination of stars, planets, dust and gases. The galaxy consists of like a windmill.



Milky Way galaxy (our galaxy) mainly consists of a bulge at center which is composition of dust gases and stars. 

And it has four major arms and several shorter arms. Our nearest star sun is present in one of the shortest arms. 
The name of the arm is Orion. 

The Sun is not present in the center of galaxy, it’s far out towards the galaxy’s edge. So we cannot view all the stars and the bulge in the middle of the galaxy. The earth moves around the sun called as rotation. Sun and the other stars move around the center of the galaxy. We are moving at an

average velocity of 828,000 km/hr. 

It is estimated that sun takes 220 million years to make one complete orbit around the Milky Way.
Friends we have come to know about the galaxy, the position of the sun in the galaxy and how the sun is moving around the center of galaxy with a great velocity which we cannot even phantom. 
Now, after reading all this do you feel yourself rotating?

                                                    -Guest Post By:
                                                                                     Haritha.P

Also see:
Secret Meetings With Aliens
TITANIC Mistakes & Unseen
Bermuda Triangle-The Solved Mystery
The ASHES History

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CHANGE ~ Let it start with you.

When we consider the present scenario of this 21st century, people often speak about the SYSTEM and the faults in the SYSTEM. Here “system” is sometimes the Government, sometimes it is the mentality of other people, at times it can even be the constitution of your own country. The meaning of the “system” changes for every discussion. Here at every point of our discussion, we do the same thing i.e. blaming others. Even then we don’t stop with it. We start praising ourselves and our beloved ones and slowly the discussion tends to turns towards our enemies and we relate the negatives to them and start blaming them. The most pitiable scene here in the above mentioned situation is that this sort of mentality is not confined to only illiterates but is also prevalent among highly educated professionals. There are many reasons for it, few of them can be jealousy, ego, inferiority complex etc... Here at last we end up with happiness as we already defended our rivals with our words in their absence. The word “system” which is the starting point of discussion is all left alone. One thing that we can observe in every such discussion is that, the person who is discussing on the “system” excludes himself from it, as if that is a group of people talking or discussing, they exclude themselves.
Why is this happening??
Aren't we the citizens of our country?
Aren't we responsible for any of the misdeeds happening?
Aren't we not capable enough for serving our own nation and mankind?
Then why aren't we including ourselves in our own discussion.
Yes, you know the reason. What’s on your mind is absolutely correct.
Because when you include yourself in the discussion you are the first and foremost person to get blamed. We know that we are heading towards at a wrong track in case of the public issues and a bit selfish as we do not follow all the rules and regulations kept by the government. Oh! Is this a big mistake if we don’t follow the government’s rules in every aspect both in terms of money and discipline? Until our ideas and thoughts are confined only to ourselves this might come across as a minor problem. But when it is treated at a global level that makes all the difference. But we don’t do it because if we do so we should be on the right side which is highly difficult. One more additional thing we do is blaming the SYSTEM and others who are doing the same things like us. This is not the duty of the government or God nor any other super power to set all the bugs in the system. This can be done by us. I am not joking nor kidding. Yes, you can set these errors. The only thing you should do is be cautious at every small activity you are doing. This can be as small as throwing a banana peel in a public place or not getting a pollution check done for your bike. This also can be as big as illegal acquisition of government land. If you are perfect and you are good enough then the CHANGE begins from you.
There is no other solution for it rather than individual change. When every individual accept it as their problem and are sincere at their deeds, then that’s for sure the whole system will be modified accordingly. We often also quote corruption as one of the main problems. As the sound is generated when both the hands are clapped in the same manner corruption is also done when one person offers money willingly or unwillingly to another person or organization. This corruption can also be vanished if there is no person in the world to offer money to the other who is demanding it. Even for this global problem the solution starts with the CHANGE in you. Never blame others whenever you aren't perfect. CHANGE in every individual can CHANGE the whole nation. An individual CHANGE can lead to a nations change.

“Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek.”
                                                              -- Barack Obama
“Very often a change of self is needed more than a change of scene.”
                                                              -- A. C. Benson

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THE CHOCOLATE CORNER

                    We are back with an interesting and of course a sweet post. 

                                        This post is all about chocolate. 
Do u know where chocolate comes from? 

                                             Well, if you don’t, it’s time to know that it grows on a tree! Yes, it grows on a tropical tree named Theobroma Cacao which is most commonly known as Cacao. The taste of the cacao pods grown on these trees is completely different from the actual chocolate you eat. They taste bitter! To enhance the flavor and texture, the cacao beans are fermented at first. Later they are dried, roasted and ground to fine powder. This is how cocoa powder is made. At last the powder is liquefied which is called as chocolate liquor and poured into moulds along with the required flavors to make a chocolate bar.

Chocolates are available in three basic types namely milk chocolate,dark chocolate and white chocolate. 

Milk Chocolate:

Dark Chocolate:

White Chocolate:

Though there are many chocolates available in the market, they are made by increasing or decreasing the cocoa content to these basic types. The white chocolate does not contain any cocoa powder in it. It is solely made of cocoa butter. According to the industry standards, a white chocolate must contain a minimum of 20% cocoa butter, otherwise it cannot be considered as white chocolate. In the milk chocolate, along with the cocoa butter and chocolate liquor, dry milk solids are added. The dark chocolate mainly contains the chocolate liquor which tastes a bit bitter.

One more interesting fact about chocolate is that it is called as an instant energy booster because of the rich carbohydrate content present in it. Chocolate which is very well known for its taste is also good for health. Dark chocolate is very good for health when compared to milk and white chocolates. It lowers the blood pressure which ultimately reduces the risk of heart diseases. Irrespective of age and gender, people from all over the world like to eat chocolate. Chocolate flavor can be added to almost any food item to enhance its taste. It enhances the taste of any food item including ice creams, biscuits, cakes etc. Now-a-days chocolates are available in different flavors in the market. These flavors include different types of fruits, caramel, elachi etc. 

                                                                                      -Guest Post By:
                                                                                              Sameera.T
Also see:
1000 Books Must Read Before You Die
Secret Meetings With Aliens
TITANIC Mistakes & Unseen
ALEXANDER THE GREAT'S LAST WORDS

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1000 Books must read before you die!!

1. Never Let Me Go – Kazuo Ishiguro
2. Saturday – Ian McEwan
3. On Beauty – Zadie Smith   
4. Slow Man – J.M. Coetzee   
5. Adjunct: An Undigest – Peter Manson   
6. The Sea – John Banville
7. The Red Queen – Margaret Drabble   
8. The Plot Against America – Philip Roth   
9. The Master – Colm Tóibín   
10. Vanishing Point – David Markson   
11. The Lambs of London – Peter Ackroyd   
12. Dining on Stones – Iain Sinclair   
13. Cloud Atlas – David Mitchell   
14. Drop City – T. Coraghessan Boyle   
15. The Colour – Rose Tremain   
16. Thursbitch – Alan Garner   
17. The Light of Day – Graham Swift
18. What I Loved – Siri Hustvedt   
19. The Curious Incident of the Dog in the Night-Time – Mark Haddon
20. Islands – Dan Sleigh   
21. Elizabeth Costello – J.M. Coetzee
22. London Orbital – Iain Sinclair   
23. Family Matters – Rohinton Mistry   
24. Fingersmith – Sarah Waters
25. The Double – José Saramago
26. Everything is Illuminated – Jonathan Safran Foer
27. Unless – Carol Shields
28. Kafka on the Shore – Haruki Murakami
29. The Story of Lucy Gault – William Trevor
30. That They May Face the Rising Sun – John McGahern
31. In the Forest – Edna O’Brien
32. Shroud – John Banville
33. Middlesex – Jeffrey Eugenides
34. Youth – J.M. Coetzee
35. Dead Air – Iain Banks
36. Nowhere Man – Aleksandar Hemon
37. The Book of Illusions – Paul Auster
38. Gabriel’s Gift – Hanif Kureishi
39. Austerlitz – W.G. Sebald
40. Platform – Michael Houellebecq
41. Schooling – Heather McGowan
42. Atonement – Ian McEwan
43. The Corrections – Jonathan Franzen
44. Don’t Move – Margaret Mazzantini
45. The Body Artist – Don DeLillo
46. Fury – Salman Rushdie
47. At Swim, Two Boys – Jamie O’Neill
48. Choke – Chuck Palahniuk
49. Life of Pi – Yann Martel
50. The Feast of the Goat – Mario Vargos Llosa
51. An Obedient Father – Akhil Sharma
52. The Devil and Miss Prym – Paulo Coelho   
53. Spring Flowers, Spring Frost – Ismail Kadare
54. White Teeth – Zadie Smith
55. The Heart of Redness – Zakes Mda
56. Under the Skin – Michel Faber
57. Ignorance – Milan Kundera   
58. Nineteen Seventy Seven – David Peace
59. Celestial Harmonies – Péter Esterházy
60. City of God – E.L. Doctorow
61. How the Dead Live – Will Self
62. The Human Stain – Philip Roth
63. The Blind Assassin – Margaret Atwood
64. After the Quake – Haruki Murakami
65. Small Remedies – Shashi Deshpande
66. Super-Cannes – J.G. Ballard
67. House of Leaves – Mark Z. Danielewski
68. Blonde – Joyce Carol Oates
69. Pastoralia – George Saunders                                                                                                                    1900's                                                                                       
70. Timbuktu – Paul Auster
71. The Romantics – Pankaj Mishra
72. Cryptonomicon – Neal Stephenson
73. As If I Am Not There – Slavenka Drakuli?
74. Everything You Need – A.L. Kennedy
75. Fear and Trembling – Amélie Nothomb
76. The Ground Beneath Her Feet – Salman Rushdie
77. Disgrace – J.M. Coetzee
78. Sputnik Sweetheart – Haruki Murakami
79. Elementary Particles – Michel Houellebecq
80. Intimacy – Hanif Kureishi
81. Amsterdam – Ian McEwan
82. Cloudsplitter – Russell Banks
83. All Souls Day – Cees Nooteboom
84. The Talk of the Town – Ardal O’Hanlon
85. Tipping the Velvet – Sarah Waters
86. The Poisonwood Bible – Barbara Kingsolver
87. Glamorama – Bret Easton Ellis
88. Another World – Pat Barker
89. The Hours – Michael Cunningham
90. Veronika Decides to Die – Paulo Coelho
91. Mason & Dixon – Thomas Pynchon
92. The God of Small Things – Arundhati Roy
93. Memoirs of a Geisha – Arthur Golden
94. Great Apes – Will Self
95. Enduring Love – Ian McEwan   
96. Underworld – Don DeLillo
97. Jack Maggs – Peter Carey
98. The Life of Insects – Victor Pelevin
99. American Pastoral – Philip Roth
100. The Untouchable – John Banville
101. Silk – Alessandro Baricco
102. Cocaine Nights – J.G. Ballard
103. Hallucinating Foucault – Patricia Duncker
104. Fugitive Pieces – Anne Michaels
105. The Ghost Road – Pat Barker
106. Forever a Stranger – Hella Haasse
107. Infinite Jest – David Foster Wallace
108. The Clay Machine-Gun – Victor Pelevin
109. Alias Grace – Margaret Atwood
110. The Unconsoled – Kazuo Ishiguro
111. Morvern Callar – Alan Warner
112. The Information – Martin Amis
113. The Moor’s Last Sigh – Salman Rushdie
114. Sabbath’s Theater – Philip Roth
115. The Rings of Saturn – W.G. Sebald
116. The Reader – Bernhard Schlink
117. A Fine Balance – Rohinton Mistry
118. Love’s Work – Gillian Rose
119. The End of the Story – Lydia Davis
120. Mr. Vertigo – Paul Auster
121. The Folding Star – Alan Hollinghurst
122. Whatever – Michel Houellebecq
123. Land – Park Kyong-ni
124. The Master of Petersburg – J.M. Coetzee
125. The Wind-Up Bird Chronicle – Haruki Murakami
126. Pereira Declares: A Testimony – Antonio Tabucchi
127. City Sister Silver – Jàchym Topol
128. How Late It Was, How Late – James Kelman
129. Captain Corelli’s Mandolin – Louis de Bernieres
130. Felicia’s Journey – William Trevor
131. Disappearance – David Dabydeen
132. The Invention of Curried Sausage – Uwe Timm
133. The Shipping News – E. Annie Proulx
134. Trainspotting – Irvine Welsh
135. Birdsong – Sebastian Faulks
136. Looking for the Possible Dance – A.L. Kennedy
137. Operation Shylock – Philip Roth
138. Complicity – Iain Banks
139. On Love – Alain de Botton
140. What a Carve Up! – Jonathan Coe
141. A Suitable Boy – Vikram Seth
142. The Stone Diaries – Carol Shields
143. The Virgin Suicides – Jeffrey Eugenides
144. The House of Doctor Dee – Peter Ackroyd
145. The Robber Bride – Margaret Atwood
146. The Emigrants – W.G. Sebald
147. The Secret History – Donna Tartt
148. Life is a Caravanserai – Emine Özdamar
149. The Discovery of Heaven – Harry Mulisch
150. A Heart So White – Javier Marias
151. Possessing the Secret of Joy – Alice Walker
152. Indigo – Marina Warner
153. The Crow Road – Iain Banks
154. Written on the Body – Jeanette Winterson
155. Jazz – Toni Morrison
156. The English Patient – Michael Ondaatje
157. Smilla’s Sense of Snow – Peter Høeg
158. The Butcher Boy – Patrick McCabe
159. Black Water – Joyce Carol Oates
160. The Heather Blazing – Colm Tóibín
161. Asphodel – H.D. (Hilda Doolittle)
162. Black Dogs – Ian McEwan
163. Hideous Kinky – Esther Freud
164. Arcadia – Jim Crace
165. Wild Swans – Jung Chang
166. American Psycho – Bret Easton Ellis
167. Time’s Arrow – Martin Amis
168. Mao II – Don DeLillo
169. Typical – Padgett Powell
170. Regeneration – Pat Barker
171. Downriver – Iain Sinclair
172. Señor Vivo and the Coca Lord – Louis de Bernieres
173. Wise Children – Angela Carter
174. Get Shorty – Elmore Leonard
175. Amongst Women – John McGahern
176. Vineland – Thomas Pynchon
177. Vertigo – W.G. Sebald
178. Stone Junction – Jim Dodge
179. The Music of Chance – Paul Auster
180. The Things They Carried – Tim O’Brien
181. A Home at the End of the World – Michael Cunningham
182. Like Life – Lorrie Moore
183. Possession – A.S. Byatt
184. The Buddha of Suburbia – Hanif Kureishi
185. The Midnight Examiner – William Kotzwinkle
186. A Disaffection – James Kelman
187. Sexing the Cherry – Jeanette Winterson
188. Moon Palace – Paul Auster
189. Billy Bathgate – E.L. Doctorow
190. Remains of the Day – Kazuo Ishiguro
191. The Melancholy of Resistance – László Krasznahorkai
192. The Temple of My Familiar – Alice Walker
193. The Trick is to Keep Breathing – Janice Galloway
194. The History of the Siege of Lisbon – José Saramago
195. Like Water for Chocolate – Laura Esquivel
196. A Prayer for Owen Meany – John Irving
197. London Fields – Martin Amis
198. The Book of Evidence – John Banville
199. Cat’s Eye – Margaret Atwood
200. Foucault’s Pendulum – Umberto Eco
201. The Beautiful Room is Empty – Edmund White
202. Wittgenstein’s Mistress – David Markson
203. The Satanic Verses – Salman Rushdie
204. The Swimming-Pool Library – Alan Hollinghurst
205. Oscar and Lucinda – Peter Carey
206. Libra – Don DeLillo   
207. The Player of Games – Iain M. Banks
208. Nervous Conditions – Tsitsi Dangarembga
209. The Long Dark Teatime of the Soul – Douglas Adams
210. Dirk Gently’s Holistic Detective Agency – Douglas Adams
211. The Radiant Way – Margaret Drabble
212. The Afternoon of a Writer – Peter Handke
213. The Black Dahlia – James Ellroy
214. The Passion – Jeanette Winterson
215. The Pigeon – Patrick Süskind
216. The Child in Time – Ian McEwan
217. Cigarettes – Harry Mathews
218. The Bonfire of the Vanities – Tom Wolfe
219. The New York Trilogy – Paul Auster
220. World’s End – T. Coraghessan Boyle
221. Enigma of Arrival – V.S. Naipaul
222. The Taebek Mountains – Jo Jung-rae
223. Beloved – Toni Morrison
224. Anagrams – Lorrie Moore
225. Matigari – Ngugi Wa Thiong’o
226. Marya – Joyce Carol Oates
227. Watchmen – Alan Moore & David Gibbons
228. The Old Devils – Kingsley Amis
229. Lost Language of Cranes – David Leavitt
230. An Artist of the Floating World – Kazuo Ishiguro
231. Extinction – Thomas Bernhard
232. Foe – J.M. Coetzee
233. The Drowned and the Saved – Primo Levi
234. Reasons to Live – Amy Hempel
235. The Parable of the Blind – Gert Hofmann
236. Love in the Time of Cholera – Gabriel García Márquez
237. Oranges Are Not the Only Fruit – Jeanette Winterson
238. The Cider House Rules – John Irving
239. A Maggot – John Fowles
240. Less Than Zero – Bret Easton Ellis
241. Contact – Carl Sagan
242. The Handmaid’s Tale – Margaret Atwood
243. Perfume – Patrick Süskind
244. Old Masters – Thomas Bernhard
245. White Noise – Don DeLillo
246. Queer – William Burroughs
247. Hawksmoor – Peter Ackroyd
248. Legend – David Gemmell
249. Dictionary of the Khazars – Milorad Pavi?
250. The Bus Conductor Hines – James Kelman
251. The Year of the Death of Ricardo Reis – José Saramago
252. The Lover – Marguerite Duras
253. Empire of the Sun – J.G. Ballard
254. The Wasp Factory – Iain Banks
255. Nights at the Circus – Angela Carter
256. The Unbearable Lightness of Being – Milan Kundera
257. Blood and Guts in High School – Kathy Acker
258. Neuromancer – William Gibson
259. Flaubert’s Parrot – Julian Barnes
260. Money: A Suicide Note – Martin Amis
261. Shame – Salman Rushdie
262. Worstward Ho – Samuel Beckett
263. Fools of Fortune – William Trevor
264. La Brava – Elmore Leonard
265. Waterland – Graham Swift
266. The Life and Times of Michael K – J.M. Coetzee
267. The Diary of Jane Somers – Doris Lessing
268. The Piano Teacher – Elfriede Jelinek
269. The Sorrow of Belgium – Hugo Claus
270. If Not Now, When? – Primo Levi
271. A Boy’s Own Story – Edmund White
272. The Color Purple – Alice Walker
273. Wittgenstein’s Nephew – Thomas Bernhard
274. A Pale View of Hills – Kazuo Ishiguro
275. Schindler’s Ark – Thomas Keneally
276. The House of the Spirits – Isabel Allende
277. The Newton Letter – John Banville
278. On the Black Hill – Bruce Chatwin
279. Concrete – Thomas Bernhard
280. The Names – Don DeLillo
281. Rabbit is Rich – John Updike
282. Lanark: A Life in Four Books – Alasdair Gray
283. The Comfort of Strangers – Ian McEwan
284. July’s People – Nadine Gordimer
285. Summer in Baden-Baden – Leonid Tsypkin
286. Broken April – Ismail Kadare
287. Waiting for the Barbarians – J.M. Coetzee
288. Midnight’s Children – Salman Rushdie
289. Rites of Passage – William Golding
290. Rituals – Cees Nooteboom
291. Confederacy of Dunces – John Kennedy Toole
292. City Primeval – Elmore Leonard
293. The Name of the Rose – Umberto Eco   
294. The Book of Laughter and Forgetting – Milan Kundera   
295. Smiley’s People – John Le Carré
296. Shikasta – Doris Lessing
297. A Bend in the River – V.S. Naipaul
298. Burger’s Daughter - Nadine Gordimer
299. The Safety Net – Heinrich Böll
300. If On a Winter’s Night a Traveler – Italo Calvino
301. The Hitchhiker’s Guide to the Galaxy – Douglas Adams
302. The Cement Garden – Ian McEwan
303. The World According to Garp – John Irving
304. Life: A User’s Manual – Georges Perec
305. The Sea, The Sea – Iris Murdoch
306. The Singapore Grip – J.G. Farrell
307. Yes – Thomas Bernhard
308. The Virgin in the Garden – A.S. Byatt
309. In the Heart of the Country – J.M. Coetzee
310. The Passion of New Eve – Angela Carter
311. Delta of Venus – Anaïs Nin
312. The Shining – Stephen King
313. Dispatches – Michael Herr
314. Petals of Blood – Ngugi Wa Thiong’o
315. Song of Solomon – Toni Morrison
316. The Hour of the Star – Clarice Lispector
317. The Left-Handed Woman – Peter Handke
318. Ratner’s Star – Don DeLillo
319. The Public Burning – Robert Coover
320. Interview With the Vampire – Anne Rice
321. Cutter and Bone – Newton Thornburg
322. Amateurs – Donald Barthelme
323. Patterns of Childhood – Christa Wolf
324. Autumn of the Patriarch – Gabriel García Márquez
325. W, or the Memory of Childhood – Georges Perec
326. A Dance to the Music of Time – Anthony Powell
327. Grimus – Salman Rushdie
328. The Dead Father – Donald Barthelme
329. Fateless – Imre Kertész
330. Willard and His Bowling Trophies – Richard Brautigan
331. High Rise – J.G. Ballard
332. Humboldt’s Gift – Saul Bellow
333. Dead Babies – Martin Amis
334. Correction – Thomas Bernhard
335. Ragtime – E.L. Doctorow
336. The Fan Man – William Kotzwinkle
337. Dusklands – J.M. Coetzee
338. The Lost Honor of Katharina Blum – Heinrich Böll
339. Tinker Tailor Soldier Spy – John Le Carré
340. Breakfast of Champions – Kurt Vonnegut, Jr.
341. Fear of Flying – Erica Jong
342. A Question of Power – Bessie Head
343. The Siege of Krishnapur – J.G. Farrell
344. The Castle of Crossed Destinies – Italo Calvino
345. Crash – J.G. Ballard
346. The Honorary Consul – Graham Greene
347. Gravity’s Rainbow – Thomas Pynchon
348. The Black Prince – Iris Murdoch
349. Sula – Toni Morrison
350. Invisible Cities – Italo Calvino
351. The Breast – Philip Roth
352. The Summer Book – Tove Jansson
353. G – John Berger
354. Surfacing – Margaret Atwood
355. House Mother Normal – B.S. Johnson
356. In A Free State – V.S. Naipaul
357. The Book of Daniel – E.L. Doctorow
358. Fear and Loathing in Las Vegas – Hunter S. Thompson
359. Group Portrait With Lady – Heinrich Böll
360. The Wild Boys – William Burroughs
361. Rabbit Redux – John Updike
362. The Sea of Fertility – Yukio Mishima
363. The Driver’s Seat – Muriel Spark
364. The Ogre – Michael Tournier
365. The Bluest Eye – Toni Morrison
366. Goalie’s Anxiety at the Penalty Kick – Peter Handke
367. I Know Why the Caged Bird Sings – Maya Angelou
368. Mercier et Camier – Samuel Beckett
369. Troubles – J.G. Farrell
370. Jahrestage – Uwe Johnson
371. The Atrocity Exhibition – J.G. Ballard
372. Tent of Miracles – Jorge Amado
373. Pricksongs and Descants – Robert Coover
374. Blind Man With a Pistol – Chester Hines
375. Slaughterhouse-five – Kurt Vonnegut, Jr.
376. The French Lieutenant’s Woman – John Fowles
377. The Green Man – Kingsley Amis
378. Portnoy’s Complaint – Philip Roth
379. The Godfather – Mario Puzo   
380. Ada – Vladimir Nabokov
381. Them – Joyce Carol Oates
382. A Void/Avoid – Georges Perec
383. Eva Trout – Elizabeth Bowen
384. Myra Breckinridge – Gore Vidal
385. The Nice and the Good – Iris Murdoch
386. Belle du Seigneur – Albert Cohen
387. Cancer Ward – Aleksandr Isayevich Solzhenitsyn
388. The First Circle – Aleksandr Isayevich Solzhenitsyn
389. 2001: A Space Odyssey – Arthur C. Clarke
390. Do Androids Dream of Electric Sheep? – Philip K. Dick
391. Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry
392. The German Lesson – Siegfried Lenz
393. In Watermelon Sugar – Richard Brautigan
394. A Kestrel for a Knave – Barry Hines
395. The Quest for Christa T. – Christa Wolf
396. Chocky – John Wyndham
397. The Electric Kool-Aid Acid Test – Tom Wolfe
398. The Cubs and Other Stories – Mario Vargas Llosa
399. One Hundred Years of Solitude - Gabriel García Márquez
400. The Master and Margarita – Mikhail Bulgakov
401. Pilgrimage – Dorothy Richardson
402. The Joke – Milan Kundera
403. No Laughing Matter – Angus Wilson
404. The Third Policeman – Flann O’Brien
405. A Man Asleep – Georges Perec
406. The Birds Fall Down – Rebecca West
407. Trawl – B.S. Johnson
408. In Cold Blood – Truman Capote
409. The Magus – John Fowles
410. The Vice-Consul – Marguerite Duras
411. Wide Sargasso Sea – Jean Rhys
412. Giles Goat-Boy – John Barth
413. The Crying of Lot 49 – Thomas Pynchon
414. Things – Georges Perec
415. The River Between – Ngugi wa Thiong’o
416. August is a Wicked Month – Edna O’Brien
417. God Bless You, Mr. Rosewater – Kurt Vonnegut
418. Everything That Rises Must Converge – Flannery O’Connor
419. The Passion According to G.H. – Clarice Lispector
420. Sometimes a Great Notion – Ken Kesey
421. Come Back, Dr. Caligari – Donald Bartholme
422. Albert Angelo – B.S. Johnson
423. Arrow of God – Chinua Achebe
424. The Ravishing of Lol V. Stein – Marguerite Duras
425. Herzog – Saul Bellow
426. V. – Thomas Pynchon
427. Cat’s Cradle – Kurt Vonnegut
428. The Graduate – Charles Webb
429. Manon des Sources – Marcel Pagnol
430. The Spy Who Came in from the Cold – John Le Carré
431. The Girls of Slender Means – Muriel Spark
432. Inside Mr. Enderby – Anthony Burgess
433. The Bell Jar – Sylvia Plath
434. One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn
435. The Collector – John Fowles
436. One Flew Over the Cuckoo’s Nest – Ken Kesey
437. A Clockwork Orange – Anthony Burgess
438. Pale Fire – Vladimir Nabokov   
439. The Drowned World – J.G. Ballard
440. The Golden Notebook – Doris Lessing
441. Labyrinths – Jorg Luis Borges
442. Girl With Green Eyes – Edna O’Brien
443. The Garden of the Finzi-Continis – Giorgio Bassani
444. Stranger in a Strange Land – Robert Heinlein
445. Franny and Zooey – J.D. Salinger
446. A Severed Head – Iris Murdoch
447. Faces in the Water – Janet Frame
448. Solaris – Stanislaw Lem
449. Cat and Mouse – Günter Grass
450. The Prime of Miss Jean Brodie – Muriel Spark
451. Catch-22 – Joseph Heller
452. The Violent Bear it Away – Flannery O’Connor
453. How It Is – Samuel Beckett
454. Our Ancestors – Italo Calvino
455. The Country Girls – Edna O’Brien
456. To Kill a Mockingbird – Harper Lee
457. Rabbit, Run – John Updike
458. Promise at Dawn – Romain Gary
459. Cider With Rosie – Laurie Lee
460. Billy Liar – Keith Waterhouse
461. Naked Lunch – William Burroughs
462. The Tin Drum – Günter Grass
463. Absolute Beginners – Colin MacInnes
464. Henderson the Rain King – Saul Bellow
465. Memento Mori – Muriel Spark
466. Billiards at Half-Past Nine – Heinrich Böll
467. Breakfast at Tiffany’s – Truman Capote
468. The Leopard – Giuseppe Tomasi di Lampedusa
469. Pluck the Bud and Destroy the Offspring – Kenzaburo Oe
470. A Town Like Alice – Nevil Shute
471. The Bitter Glass – Eilís Dillon
472. Things Fall Apart – Chinua Achebe
473. Saturday Night and Sunday Morning – Alan Sillitoe
474. Mrs. ‘Arris Goes to Paris – Paul Gallico
475. Borstal Boy – Brendan Behan
476. The End of the Road – John Barth
477. The Once and Future King – T.H. White
478. The Bell – Iris Murdoch
479. Jealousy – Alain Robbe-Grillet
480. Voss – Patrick White
481. The Midwich Cuckoos – John Wyndham
482. Blue Noon – Georges Bataille
483. Homo Faber – Max Frisch
484. On the Road – Jack Kerouac
485. Pnin – Vladimir Nabokov
486. Doctor Zhivago – Boris Pasternak
487. The Wonderful “O” – James Thurber
488. Justine – Lawrence Durrell
489. Giovanni’s Room – James Baldwin
490. The Lonely Londoners – Sam Selvon
491. The Roots of Heaven – Romain Gary
492. Seize the Day – Saul Bellow
493. The Floating Opera – John Barth
494. The Lord of the Rings – J.R.R. Tolkien   
495. The Talented Mr. Ripley – Patricia Highsmith
496. Lolita – Vladimir Nabokov
497. A World of Love – Elizabeth Bowen
498. The Trusting and the Maimed – James Plunkett
499. The Quiet American – Graham Greene
500. The Last Temptation of Christ – Nikos Kazantzákis
501. The Recognitions – William Gaddis
502. The Ragazzi – Pier Paulo Pasolini
503. Bonjour Tristesse – Françoise Sagan
504. I’m Not Stiller – Max Frisch
505. Self Condemned – Wyndham Lewis
506. The Story of O – Pauline Réage
507. A Ghost at Noon – Alberto Moravia
508. Lord of the Flies – William Golding
509. Under the Net – Iris Murdoch
510. The Go-Between – L.P. Hartley
511. The Long Goodbye – Raymond Chandler
512. The Unnamable – Samuel Beckett
513. Watt – Samuel Beckett
514. Lucky Jim – Kingsley Amis
515. Junkie – William Burroughs
516. The Adventures of Augie March – Saul Bellow
517. Go Tell It on the Mountain – James Baldwin
518. Casino Royale – Ian Fleming
519. The Judge and His Hangman – Friedrich Dürrenmatt
520. Invisible Man – Ralph Ellison
521. The Old Man and the Sea – Ernest Hemingway
522. Wise Blood – Flannery O’Connor
523. The Killer Inside Me – Jim Thompson
524. Memoirs of Hadrian – Marguerite Yourcenar
525. Malone Dies – Samuel Beckett
526. Day of the Triffids – John Wyndham
527. Foundation – Isaac Asimov
528. The Opposing Shore – Julien Gracq
529. The Catcher in the Rye – J.D. Salinger
530. The Rebel – Albert Camus
531. Molloy – Samuel Beckett
532. The End of the Affair – Graham Greene
533. The Abbot C – Georges Bataille
534. The Labyrinth of Solitude – Octavio Paz
535. The Third Man – Graham Greene
536. The 13 Clocks – James Thurber
537. Gormenghast – Mervyn Peake
538. The Grass is Singing – Doris Lessing
539. I, Robot – Isaac Asimov
540. The Moon and the Bonfires – Cesare Pavese
541. The Garden Where the Brass Band Played – Simon Vestdijk
542. Love in a Cold Climate – Nancy Mitford
543. The Case of Comrade Tulayev – Victor Serge
544. The Heat of the Day – Elizabeth Bowen
545. Kingdom of This World – Alejo Carpentier
546. The Man With the Golden Arm – Nelson Algren
547. Nineteen Eighty-Four – George Orwell
548. All About H. Hatterr – G.V. Desani
549. Disobedience – Alberto Moravia
550. Death Sentence – Maurice Blanchot
551. The Heart of the Matter – Graham Greene
552. Cry, the Beloved Country – Alan Paton
553. Doctor Faustus – Thomas Mann
554. The Victim – Saul Bellow
555. Exercises in Style – Raymond Queneau
556. If This Is a Man – Primo Levi
557. Under the Volcano – Malcolm Lowry
558. The Path to the Nest of Spiders – Italo Calvino
559. The Plague – Albert Camus
560. Back – Henry Green
561. Titus Groan – Mervyn Peake
562. The Bridge on the Drina – Ivo Andri?
563. Brideshead Revisited – Evelyn Waugh
564. Animal Farm – George Orwell
565. Cannery Row – John Steinbeck
566. The Pursuit of Love – Nancy Mitford
567. Loving – Henry Green
568. Arcanum 17 – André Breton
569. Christ Stopped at Eboli – Carlo Levi
570. The Razor’s Edge – William Somerset Maugham
571. Transit – Anna Seghers
572. Ficciones – Jorge Luis Borges
573. Dangling Man – Saul Bellow
574. The Little Prince – Antoine de Saint-Exupéry
575. Caught – Henry Green
576. The Glass Bead Game – Herman Hesse
577. Embers – Sandor Marai
578. Go Down, Moses – William Faulkner
579. The Outsider – Albert Camus
580. In Sicily – Elio Vittorini
581. The Poor Mouth – Flann O’Brien
582. The Living and the Dead – Patrick White
583. Hangover Square – Patrick Hamilton
584. Between the Acts – Virginia Woolf
585. The Hamlet – William Faulkner
586. Farewell My Lovely – Raymond Chandler
587. For Whom the Bell Tolls – Ernest Hemingway
588. Native Son – Richard Wright
589. The Power and the Glory – Graham Greene
590. The Tartar Steppe – Dino Buzzati
591. Party Going – Henry Green
592. The Grapes of Wrath – John Steinbeck
593. Finnegans Wake – James Joyce
594. At Swim-Two-Birds – Flann O’Brien
595. Coming Up for Air – George Orwell
596. Goodbye to Berlin – Christopher Isherwood
597. Tropic of Capricorn – Henry Miller
598. Good Morning, Midnight – Jean Rhys
599. The Big Sleep – Raymond Chandler
600. After the Death of Don Juan – Sylvie Townsend Warner
601. Miss Pettigrew Lives for a Day – Winifred Watson
602. Nausea – Jean-Paul Sartre
603. Rebecca – Daphne du Maurier
604. Cause for Alarm – Eric Ambler
605. Brighton Rock – Graham Greene
606. U.S.A. – John Dos Passos
607. Murphy – Samuel Beckett
608. Of Mice and Men – John Steinbeck
609. Their Eyes Were Watching God – Zora Neale Hurston
610. The Hobbit – J.R.R. Tolkien
611. The Years – Virginia Woolf
612. In Parenthesis – David Jones
613. The Revenge for Love – Wyndham Lewis
614. Out of Africa – Isak Dineson (Karen Blixen)
615. To Have and Have Not – Ernest Hemingway
616. Summer Will Show – Sylvia Townsend Warner
617. Eyeless in Gaza – Aldous Huxley
618. The Thinking Reed – Rebecca West
619. Gone With the Wind – Margaret Mitchell
620. Keep the Aspidistra Flying – George Orwell
621. Wild Harbour – Ian MacPherson
622. Absalom, Absalom! – William Faulkner
623. At the Mountains of Madness – H.P. Lovecraft
624. Nightwood – Djuna Barnes
625. Independent People – Halldór Laxness
626. Auto-da-Fé – Elias Canetti
627. The Last of Mr. Norris – Christopher Isherwood
628. They Shoot Horses, Don’t They? – Horace McCoy
629. The House in Paris – Elizabeth Bowen
630. England Made Me – Graham Greene
631. Burmese Days – George Orwell
632. The Nine Tailors – Dorothy L. Sayers
633. Threepenny Novel – Bertolt Brecht
634. Novel With Cocaine – M. Ageyev
635. The Postman Always Rings Twice – James M. Cain
636. Tropic of Cancer – Henry Miller
637. A Handful of Dust – Evelyn Waugh
638. Tender is the Night – F. Scott Fitzgerald
639. Thank You, Jeeves – P.G. Wodehouse
640. Call it Sleep – Henry Roth
641. Miss Lonelyhearts – Nathanael West
642. Murder Must Advertise – Dorothy L. Sayers
643. The Autobiography of Alice B. Toklas – Gertrude Stein
644. Testament of Youth – Vera Brittain
645. A Day Off – Storm Jameson
646. The Man Without Qualities – Robert Musil
647. A Scots Quair (Sunset Song) – Lewis Grassic Gibbon
648. Journey to the End of the Night – Louis-Ferdinand Céline
649. Brave New World – Aldous Huxley
650. Cold Comfort Farm – Stella Gibbons
651. To the North – Elizabeth Bowen
652. The Thin Man – Dashiell Hammett
653. The Radetzky March – Joseph Roth
654. The Waves – Virginia Woolf
655. The Glass Key – Dashiell Hammett
656. Cakes and Ale – W. Somerset Maugham
657. The Apes of God – Wyndham Lewis
658. Her Privates We – Frederic Manning
659. Vile Bodies – Evelyn Waugh
660. The Maltese Falcon – Dashiell Hammett
661. Hebdomeros – Giorgio de Chirico
662. Passing – Nella Larsen
663. A Farewell to Arms – Ernest Hemingway
664. Red Harvest – Dashiell Hammett
665. Living – Henry Green
666. The Time of Indifference – Alberto Moravia
667. All Quiet on the Western Front – Erich Maria Remarque
668. Berlin Alexanderplatz – Alfred Döblin
669. The Last September – Elizabeth Bowen
670. Harriet Hume – Rebecca West
671. The Sound and the Fury – William Faulkner
672. Les Enfants Terribles – Jean Cocteau
673. Look Homeward, Angel – Thomas Wolfe
674. Story of the Eye – Georges Bataille
675. Orlando – Virginia Woolf
676. Lady Chatterley’s Lover – D.H. Lawrence
677. The Well of Loneliness – Radclyffe Hall
678. The Childermass – Wyndham Lewis
679. Quartet – Jean Rhys
680. Decline and Fall – Evelyn Waugh
681. Quicksand – Nella Larsen
682. Parade’s End – Ford Madox Ford
683. Nadja – André Breton
684. Steppenwolf – Herman Hesse
685. Remembrance of Things Past – Marcel Proust
686. To The Lighthouse – Virginia Woolf
687. Tarka the Otter – Henry Williamson
688. Amerika – Franz Kafka
689. The Sun Also Rises – Ernest Hemingway
690. Blindness – Henry Green
691. The Castle – Franz Kafka
692. The Good Soldier Švejk – Jaroslav Hašek
693. The Plumed Serpent – D.H. Lawrence
694. One, None and a Hundred Thousand – Luigi Pirandello
695. The Murder of Roger Ackroyd – Agatha Christie
696. The Making of Americans – Gertrude Stein
697. Manhattan Transfer – John Dos Passos
698. Mrs. Dalloway – Virginia Woolf
699. The Great Gatsby – F. Scott Fitzgerald
700. The Counterfeiters – André Gide
701. The Trial – Franz Kafka
702. The Artamonov Business – Maxim Gorky
703. The Professor’s House – Willa Cather
704. Billy Budd, Foretopman – Herman Melville
705. The Green Hat – Michael Arlen
706. The Magic Mountain – Thomas Mann
707. We – Yevgeny Zamyatin
708. A Passage to India – E.M. Forster
709. The Devil in the Flesh – Raymond Radiguet
710. Zeno’s Conscience – Italo Svevo
711. Cane – Jean Toomer
712. Antic Hay – Aldous Huxley
713. Amok – Stefan Zweig
714. The Garden Party – Katherine Mansfield
715. The Enormous Room – E.E. Cummings
716. Jacob’s Room – Virginia Woolf
717. Siddhartha – Herman Hesse
718. The Glimpses of the Moon – Edith Wharton
719. Life and Death of Harriett Frean – May Sinclair
720. The Last Days of Humanity – Karl Kraus
721. Aaron’s Rod – D.H. Lawrence
722. Babbitt – Sinclair Lewis
723. Ulysses – James Joyce
724. The Fox – D.H. Lawrence
725. Crome Yellow – Aldous Huxley
726. The Age of Innocence – Edith Wharton
727. Main Street – Sinclair Lewis
728. Women in Love – D.H. Lawrence
729. Night and Day – Virginia Woolf
730. Tarr – Wyndham Lewis
731. The Return of the Soldier – Rebecca West
732. The Shadow Line – Joseph Conrad
733. Summer – Edith Wharton
734. Growth of the Soil – Knut Hamsen
735. Bunner Sisters – Edith Wharton
736. A Portrait of the Artist as a Young Man – James Joyce
737. Under Fire – Henri Barbusse
738. Rashomon – Akutagawa Ryunosuke
739. The Good Soldier – Ford Madox Ford
740. The Voyage Out – Virginia Woolf
741. Of Human Bondage – William Somerset Maugham
742. The Rainbow – D.H. Lawrence
743. The Thirty-Nine Steps – John Buchan
744. Kokoro – Natsume Soseki
745. Locus Solus – Raymond Roussel
746. Rosshalde – Herman Hesse
747. Tarzan of the Apes – Edgar Rice Burroughs
748. The Ragged Trousered Philanthropists – Robert Tressell
749. Sons and Lovers – D.H. Lawrence
750. Death in Venice – Thomas Mann
751. The Charwoman’s Daughter – James Stephens
752. Ethan Frome – Edith Wharton
753. Fantômas – Marcel Allain and Pierre Souvestre
754. Howards End – E.M. Forster
755. Impressions of Africa – Raymond Roussel
756. Three Lives – Gertrude Stein
757. Martin Eden – Jack London
758. Strait is the Gate – André Gide
759. Tono-Bungay – H.G. Wells
760. The Inferno – Henri Barbusse
761. A Room With a View – E.M. Forster
762. The Iron Heel – Jack London
763. The Old Wives’ Tale – Arnold Bennett
764. The House on the Borderland – William Hope Hodgson
765. Mother – Maxim Gorky
766. The Secret Agent – Joseph Conrad
767. The Jungle – Upton Sinclair
768. Young Törless – Robert Musil
769. The Forsyte Sage – John Galsworthy
770. The House of Mirth – Edith Wharton
771. Professor Unrat – Heinrich Mann
772. Where Angels Fear to Tread – E.M. Forster
773. Nostromo – Joseph Conrad
774. Hadrian the Seventh – Frederick Rolfe
775. The Golden Bowl – Henry James
776. The Ambassadors – Henry James
777. The Riddle of the Sands – Erskine Childers
778. The Immoralist – André Gide
779. The Wings of the Dove – Henry James
780. Heart of Darkness – Joseph Conrad
781. The Hound of the Baskervilles – Sir Arthur Conan Doyle
782. Buddenbrooks – Thomas Mann
783. Kim – Rudyard Kipling
784. Sister Carrie – Theodore Dreiser
785. Lord Jim – Joseph Conrad                                                                                                   1800's
786.  Some Experiences of an Irish R.M. – Somerville and Ross
787. The Stechlin – Theodore Fontane  
788. The Awakening – Kate Chopin
789. The Turn of the Screw – Henry James
790. The War of the Worlds – H.G. Wells
791. The Invisible Man – H.G. Wells
792. What Maisie Knew – Henry James
793. Fruits of the Earth – André Gide
794. Dracula – Bram Stoker
795. Quo Vadis – Henryk Sienkiewicz
796. The Island of Dr. Moreau – H.G. Wells
797. The Time Machine – H.G. Wells
798. Effi Briest – Theodore Fontane
799. Jude the Obscure – Thomas Hardy
800. The Real Charlotte – Somerville and Ross
801. The Yellow Wallpaper – Charlotte Perkins Gilman
802. Born in Exile – George Gissing
803. Diary of a Nobody – George & Weedon Grossmith
804. The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
805. News from Nowhere – William Morris
806. New Grub Street – George Gissing
807. Gösta Berling’s Saga – Selma Lagerlöf
808. Tess of the D’Urbervilles – Thomas Hardy
809. The Picture of Dorian Gray – Oscar Wilde
810. The Kreutzer Sonata – Leo Tolstoy
811. La Bête Humaine – Émile Zola
812. By the Open Sea – August Strindberg
813. Hunger – Knut Hamsun
814. The Master of Ballantrae – Robert Louis Stevenson
815. Pierre and Jean – Guy de Maupassant
816. Fortunata and Jacinta – Benito Pérez Galdés
817. The People of Hemsö – August Strindberg
818. The Woodlanders – Thomas Hardy
819. She – H. Rider Haggard
820. The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson
821. The Mayor of Casterbridge – Thomas Hardy
822. Kidnapped – Robert Louis Stevenson
823. King Solomon’s Mines – H. Rider Haggard
824. Germinal – Émile Zola
825. The Adventures of Huckleberry Finn – Mark Twain
826. Bel-Ami – Guy de Maupassant
827. Marius the Epicurean – Walter Pater
828. Against the Grain – Joris-Karl Huysmans
829. The Death of Ivan Ilyich – Leo Tolstoy
830. A Woman’s Life – Guy de Maupassant
831. Treasure Island – Robert Louis Stevenson
832. The House by the Medlar Tree – Giovanni Verga
833. The Portrait of a Lady – Henry James
834. Bouvard and Pécuchet – Gustave Flaubert
835. Ben-Hur – Lew Wallace
836. Nana – Émile Zola
837. The Brothers Karamazov – Fyodor Dostoevsky
838. The Red Room – August Strindberg
839. Return of the Native – Thomas Hardy
840. Anna Karenina – Leo Tolstoy
841. Drunkard – Émile Zola
842. Virgin Soil – Ivan Turgenev
843. Daniel Deronda – George Eliot
844. The Hand of Ethelberta – Thomas Hardy
845. The Temptation of Saint Anthony – Gustave Flaubert
846. Far from the Madding Crowd – Thomas Hardy
847. The Enchanted Wanderer – Nicolai Leskov
848. Around the World in Eighty Days – Jules Verne
849. In a Glass Darkly – Sheridan Le Fanu
850. The Devils – Fyodor Dostoevsky
851. Erewhon – Samuel Butler
852. Spring Torrents – Ivan Turgenev
853. Middlemarch – George Eliot
854. Through the Looking Glass, and What Alice Found There – Lewis Carroll
855. King Lear of the Steppes – Ivan Turgenev
856. He Knew He Was Right – Anthony Trollope
857. War and Peace – Leo Tolstoy
858. Sentimental Education – Gustave Flaubert
859. Phineas Finn – Anthony Trollope
860. Maldoror – Comte de Lautréaumont
861. The Idiot – Fyodor Dostoevsky
862. The Moonstone – Wilkie Collins
863. Little Women – Louisa May Alcott
864. Thérèse Raquin – Émile Zola
865. The Last Chronicle of Barset – Anthony Trollope
866. Journey to the Centre of the Earth – Jules Verne
867. Crime and Punishment – Fyodor Dostoevsky
868. Alice’s Adventures in Wonderland – Lewis Carroll
869. Our Mutual Friend – Charles Dickens
870. Uncle Silas – Sheridan Le Fanu
871. Notes from the Underground – Fyodor Dostoevsky
872. The Water-Babies – Charles Kingsley
873. Les Misérables – Victor Hugo
874. Fathers and Sons – Ivan Turgenev
875. Silas Marner – George Eliot
876. Great Expectations – Charles Dickens
877. On the Eve – Ivan Turgenev
878. Castle Richmond – Anthony Trollope
879. The Mill on the Floss – George Eliot
880. The Woman in White – Wilkie Collins
881. The Marble Faun – Nathaniel Hawthorne
882. Max Havelaar – Multatuli
883. A Tale of Two Cities – Charles Dickens
884. Oblomovka – Ivan Goncharov
885. Adam Bede – George Eliot
886. Madame Bovary – Gustave Flaubert
887. North and South – Elizabeth Gaskell
888. Hard Times – Charles Dickens
889. Walden – Henry David Thoreau
890. Bleak House – Charles Dickens
891. Villette – Charlotte Brontë
892. Cranford – Elizabeth Gaskell
893. Uncle Tom’s Cabin; or, Life Among the Lonely – Harriet Beecher Stowe
894. The Blithedale Romance – Nathaniel Hawthorne
895. The House of the Seven Gables – Nathaniel Hawthorne
896. Moby-Dick – Herman Melville
897. The Scarlet Letter – Nathaniel Hawthorne
898. David Copperfield – Charles Dickens
899. Shirley – Charlotte Brontë
900. Mary Barton – Elizabeth Gaskell
901. The Tenant of Wildfell Hall – Anne Brontë
902. Wuthering Heights – Emily Brontë
903. Agnes Grey – Anne Brontë
904. Jane Eyre – Charlotte Brontë
905. Vanity Fair – William Makepeace Thackeray
906. The Count of Monte-Cristo – Alexandre Dumas
907. La Reine Margot – Alexandre Dumas
908. The Three Musketeers – Alexandre Dumas
909. The Purloined Letter – Edgar Allan Poe
910. Martin Chuzzlewit – Charles Dickens
911. The Pit and the Pendulum – Edgar Allan Poe
912. Lost Illusions – Honoré de Balzac
913. A Christmas Carol – Charles Dickens
914. Dead Souls – Nikolay Gogol
915. The Charterhouse of Parma – Stendhal
916. The Fall of the House of Usher – Edgar Allan Poe
917. The Life and Adventures of Nicholas Nickleby – Charles Dickens
918. Oliver Twist – Charles Dickens
919. The Nose – Nikolay Gogol
920. Le Père Goriot – Honoré de Balzac
921. Eugénie Grandet – Honoré de Balzac
922. The Hunchback of Notre Dame – Victor Hugo
923. The Red and the Black – Stendhal
924. The Betrothed – Alessandro Manzoni
925. Last of the Mohicans – James Fenimore Cooper
926. The Private Memoirs and Confessions of a Justified Sinner – James Hogg
927. The Albigenses – Charles Robert Maturin
928. Melmoth the Wanderer – Charles Robert Maturin
929. The Monastery – Sir Walter Scott
930. Ivanhoe – Sir Walter Scott
931. Frankenstein – Mary Wollstonecraft Shelley
932. Northanger Abbey – Jane Austen
933. Persuasion – Jane Austen
934. Ormond – Maria Edgeworth
935. Rob Roy – Sir Walter Scott
936. Emma – Jane Austen
937. Mansfield Park – Jane Austen
938. Pride and Prejudice – Jane Austen
939. The Absentee – Maria Edgeworth
940. Sense and Sensibility – Jane Austen
941. Elective Affinities – Johann Wolfgang von Goethe
942. Castle Rackrent – Maria Edgeworth                                                                                         1700's
943.  Hyperion – Friedrich Hölderlin
944. The Nun – Denis Diderot
945. Camilla – Fanny Burney
946. The Monk – M.G. Lewis
947. Wilhelm Meister’s Apprenticeship – Johann Wolfgang von Goethe
948. The Mysteries of Udolpho – Ann Radcliffe
949. The Interesting Narrative – Olaudah Equiano
950. The Adventures of Caleb Williams – William Godwin
951. Justine – Marquis de Sade
952. Vathek – William Beckford
953. The 120 Days of Sodom – Marquis de Sade
954. Cecilia – Fanny Burney
955. Confessions – Jean-Jacques Rousseau
956. Dangerous Liaisons – Pierre Choderlos de Laclos
957. Reveries of a Solitary Walker – Jean-Jacques Rousseau
958. Evelina – Fanny Burney
959. The Sorrows of Young Werther – Johann Wolfgang von Goethe
960. Humphrey Clinker – Tobias George Smollett
961. The Man of Feeling – Henry Mackenzie
962. A Sentimental Journey – Laurence Sterne
963. Tristram Shandy – Laurence Sterne
964. The Vicar of Wakefield – Oliver Goldsmith
965. The Castle of Otranto – Horace Walpole
966. Émile; or, On Education – Jean-Jacques Rousseau
967. Rameau’s Nephew – Denis Diderot
968. Julie; or, the New Eloise – Jean-Jacques Rousseau
969. Rasselas – Samuel Johnson
970. Candide – Voltaire
971. The Female Quixote – Charlotte Lennox
972. Amelia – Henry Fielding
973. Peregrine Pickle – Tobias George Smollett
974. Fanny Hill – John Cleland
975. Tom Jones – Henry Fielding
976. Roderick Random – Tobias George Smollett
977. Clarissa – Samuel Richardson
978. Pamela – Samuel Richardson
979. Jacques the Fatalist – Denis Diderot
980. Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift
981. Joseph Andrews – Henry Fielding
982. A Modest Proposal – Jonathan Swift
983. Gulliver’s Travels – Jonathan Swift
984. Roxana – Daniel Defoe
985. Moll Flanders – Daniel Defoe
986. Love in Excess – Eliza Haywood
987. Robinson Crusoe – Daniel Defoe
988. A Tale of a Tub – Jonathan Swift

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PANCHATANTRA

About the Panchatantra

One of India's most influential contributions to world literature, the Panchatantra (also spelled Pañcatantra or Pañca-tantra) consists of five books of animal fables and magic tales (some 87 stories in all) that were compiled, in their current form, between the third and fifth centuries AD. It is believed that even then the stories were already ancient. The tales' self-proclaimed purpose is to educate the sons of royalty.

Although the original author's or compiler's name is unknown, an Arabic translation from about 750 AD attributes the Panchatantra to a wise man called Bidpai, which is probably a Sanskrit word meaning "court scholar."

The fables of the Panchatantra found their way to Europe through oral folklore channels and by way of Persian and Arabic translations. They substantially influenced medieval writers of fables.

1. The Foolish Friend.
2. Dharmabuddhi and Pâpabuddhi.
3. The Bullock's Balls.
4. The Gold-Giving Snake.
5. The Dog That Went Abroad.
6. The Brahman's Wife and the Mongoose.
7. The Fish That Were Too Clever.
8. The Two-Headed Weaver.
9. The Broken Pot.
10. The Enchanted Brahman's Son

The Foolish Friend

A king, while visiting his wives' apartments, took a monkey from a neighboring stable for a pet. He kept him constantly close at hand for his amusement, for as it is said, parrots, partridges, doves, rams, monkeys, and such creatures are a king's natural companions.
It goes without saying that the monkey, fed on the various dishes that the king gave him, grew large and was given respect by all who surrounded the king. Indeed, the king, due to his love and exceeding trust of the monkey, even gave him a sword to carry.
In the vicinity of the palace the king had a grove artfully planted with many trees of various sorts. Early in the springtime the king noticed how beautiful the grove was. Its blossoms exuded a magnificent fragrance, while swarms of bees sang praise to the god of love. Thus overcome by love, he entered the grove with his favorite wife. He ordered all his servants to wait for him at the entrance.
After having pleasantly strolling through and observing the grove, he grew tired and said to his monkey, "I want to sleep a little while in this arbor of flowers. Take care that nothing disturbs me!" Having said this, the king fell asleep.
Presently a bee, pursuing the aroma of the flowers, betel, and musk, flew up and lit on his head. Seeing this, the monkey thought angrily, "What is this? Am I to allow this common creature to bite the king before my very eyes?"
With that he proceeded to drive it away. However, in spite of the monkey's defense, the bee approached the king again and again. Finally, blinded by anger, the monkey drew his sword and struck down the bee with a single blow. However, the same blow also split the king's head.
The queen, who was sleeping next to the king jumped up in terror. Seeing the crime, she said, "Oh, oh, you foolish monkey! What have you done to the king who placed such trust in you?"
The monkey explained how it had happened, but thereafter he was shunned and scorned by everyone. Thus it is said, "Do not choose a fool for a friend, for the king was killed by a monkey."
And I say, "It is better to have a clever enemy than a foolish friend."    

Dharmabuddhi and Papabuddhi 

In a certain place there lived two friends, Dharmabuddhi, which means "having a just heart" and Pâpabuddhi, which means "having an unjust heart."

One day Pâpabuddhi thought to himself, "I am a simpleton, plagued with poverty. I am going to travel abroad with Dharmabuddhi, and earn money with his help. Then I will cheat him out of it and thus gain a good situation for myself."
One day he said to Dharmabuddhi, "Listen, friend! When you are old, which of your deeds will you be able to remember? You have never seen a foreign country, so what will you be able to tell the young people? After all, don't they say: His birth has borne no fruit, who knows not foreign lands, many languages, customs, and the like. And also: One never properly grasps knowledge, wealth, and art, until joyfully one has wandered from one land to another."
Pâpabuddhi, as soon as he had heard these words, took leave from his parents with a joyful heart, and one happy day set forth for foreign lands. Through their diligence and skill, Dharmabuddhi and Pâpabuddhi acquired great wealth on their travels. Happy, but also filled with longing, they turned homeward with their great treasure. For it is also said: For those who gain wisdom, art, and wealth in foreign lands, the absence of one hour has the length of hundreds.
As they approached their city, Pâpabuddhi said to Dharmabuddhi, "Friend, it is not prudent for us to return home with our entire treasure, for our families and relatives will want part of it. Therefore let us bury it somewhere here in the thick of the forest and take only a small part home with us. When the need arises, we can come back and get as much as we need from here. For they also say:A smart man does not show off his money, not even in small amounts, for the sight of gold will agitate even a good heart. And also: Like meat is devoured in the water by fish, on land by wild animals, and in the air by birds, he who owns money is everywhere at risk."
Upon hearing this, Dharmabuddhi said, "Yes, my friend, that is what we will do!"
After having thus buried their treasure, they both returned home and lived happily together.
However, one day at midnight Pâpabuddhi went back into the forest, took the entire treasure, refilled the hole, and returned home.
Then he went to Dharmabuddhi and said to him, "Friend, each of us has a large family, and we are suffering because we have no money. Therefore, let us go to that place and get some money."
Dharmabuddhi answered, "Yes, my friend, let us do it!"
They went there and dug up the container, but it was empty.
Then Pâpabuddhi struck himself on the head and cried out, "Aha! Dharmabuddhi! You and only you have taken the money, for the hole has been filled in again. Give me my half of what you have hidden, or I will bring action against you at the king's court."
Dharmabuddhi said, "Do not speak like that, you evildoer. I am in truth Dharmabuddhi, the one with a just heart! I would not commit such an act of thievery. After all, it is said: The person with a just heart treats another man's wife like his own mother, another man's property like a clod of earth, and all beings like himself."
Quarreling thus, they proceeded to the court where they told their stories and brought action against one another.
The top judges decreed that they submit to an Ordeal of God, but Pâpabuddhi said, "No! Such an ordeal is not just. After all, it is written: In a legal action one should seek documents. If there are no documents, then one should seek witnesses. If there are no witnesses, then wise men should prescribe an Ordeal of God. In this matter the goddess of the tree will serve as my witness. She will declare which one of us is a thief and which one an honest man."
To this they all replied, "What you say is right, for it is also written: An Ordeal of God is inappropriate where there is a witness, be he even a man of the lowest caste, to say nothing of the case where he is a god. We too are very curious about this case. Tomorrow morning we shall go with you to that place in the forest."
In the meanwhile, Pâpabuddhi returned home and said to his father, "Father! I have stolen this money from Dharmabuddhi, and one word from you will secure it for us. Without your word, we shall lose it, and I shall lose my life as well."
The father said, "Child, just tell what I have to say in order to secure it!"
Pâpabuddhi said, "Father, in thus and such a place there is a large mimosa tree. It has a hollow trunk. Go hide yourself in it. When I swear an oath there tomorrow morning, then you must reply that Dharmabuddhi is the thief."
Having made these arrangements, the next morning Pâpabuddhi bathed himself, put on a clean shirt, and went to the mimosa tree with Dharmabuddhi and the judges.
Once there, he spoke with a piercing voice, "Sun and moon, wind and fire, heaven and earth, heart and mind, day and night, sunrise and sunset, all of these, like dharma, know a man's deeds. Sublime goddess of the forest, reveal which of us is the thief!"
Then Pâpabuddhi's father, who was standing in the hollow trunk of the mimosa tree, said, "Listen! Listen! The money was taken away by Dharmabuddhi!"
Having heard this, the king's servants, their eyes opened wide with amazement, searched in their law books for an appropriate punishment for Dharmabuddhi's theft of the money.
While they were thus engaged, Dharmabuddhi himself surrounded the tree's opening with flammable material, and set it on fire. When it was well ablaze, Pâpabuddhi's father emerged from the hollow tree. His eyes streaming, he cried out bitterly.
"What is this?" they asked him.
He confessed everything, and then died. The king's servants forthwith hanged Pâpabuddhi from a branch of the mimosa tree, but they had only words of praise for Dharmabuddhi.

The Bullock's Balls

In a certain place there lived a large bullock by the name of Tîkschnabrischana, which means "having substantial balls." Because of his excessive pride, he left his herd and wandered about in the forest, tearing up the banks as he pleased and devouring the emerald-colored grass.

In this same forest there lived a jackal by the name of Pralobhaka, which means "the greedy one." One day he was sitting pleasantly with his wife on an island in the river. Tîkschnabrischana came up to this island to have a drink of water. When the jackal's wife saw the balls, she said to her husband, "Master, just look! This bullock has two pieces of meat hanging down. They will be falling off immediately, at the least in a few hours. Take heed of this, and follow him."

The jackal answered, "Loved one, there is nothing certain about their falling off. Why do you ask me to set forth on such a futile task? Let me stay here with you, and together we can eat the mice that come here to drink. This is their pathway. If I leave you to follow the bullock, then someone else will come here and take over this spot. It is not a good idea, for it is said: He who gives up a sure thing for an uncertainty will lose the sure thing, and the uncertainty will remain just that."

The jackal's wife said, "Oh, you are a low-spirited creature. You are satisfied with the worst things that you can find. They also say:It is easy to fill a little brook and also the paws of a little mouse. Ordinary people are easily satisfied. They are pleased with the smallest things. For this reason a good man must always be active. They also say: With every beginning there is a will to act. Avoid idleness, and join the community of the intelligent and the powerful. Think not that fate alone rules. Cease not to work. Without effort the sesame seed will not give up its oil. And further: A foolish man is happy with little. His heart is satisfied just thinking of wealth. It is thus not appropriate for you to say, 'It is uncertain, whether or not they will fall off.' It is also said: Active people deserve praise. Those with pride will be praised. What sort of scoundrel will wait until Indra brings him water? Furthermore, I am mightily tired of eating mouse meat. These two pieces of meat look as though they will soon fall off. You must follow him. Nothing else will do!"

After hearing all this, the jackal left his mouse catching, and followed after Tîkschnabrischana. They rightly say: A man is master in all things, until he lets his will be turned by a woman's words. And further: The impossible seems possible, the unachievable easily achieved, and the inedible edible to the man who is spurred on by a woman's words.

Thus, together with his wife, he followed the bullock a long time, but the two balls did not fall off.

In the fifteenth year, the jackal finally said wearily to his wife, "Fifteen years, my love, I have kept my eyes on those hanging things to see whether or not they are going to fall off, but they still hold fast. Nor will they fall off in the future. Let us return to catching mice!"

The Gold-Giving Snake

In a certain place there lived a Brahman by the name of Haridatta. He tilled the soil, but his time in the field brought him no harvest. Then one day, as the hottest hours were just over, tormented by the heat, he lay down in the shade of a tree in the middle of his field for a sleep. He saw a frightful snake, decorated with a large hood, crawl from an anthill a little way off, and thought to himself, "This is surely the goddess of the field, and I have not once paid her homage. That is why the field remains barren. I must bring her an offering." After thus thinking it over, he got some milk, poured it into a basin, then went to the anthill, and said, "Oh, protector of this field, for a long time I did not know that you live here. For this reason I have not yet brought you an offering. Please forgive me!"
Having said this, he set forth the milk, and went home. The next day he returned to see what had happened, and he found a dinar in the basin. And thus it continued day by day. He brought the snake milk, and always found a dinar there the next morning.
One day the Brahman asked his son to take the milk to the anthill, and he himself went into the village. The son brought the milk, set it there, and returned home. When he came back the next day and found a dinar, he said to himself, "This anthill must be full of gold dinars. I will kill the snake and take them all at once!"
Having decided this, the Brahman's son returned the next day with the milk and a club. As he gave the milk to the snake, he struck her on the head with the club. The snake, as fate willed it, escaped with her life. Filled with rage, she bit the boy with her sharp, poisoned teeth, and the boy fell dead at once. His people built a funeral pyre not far from the field and cremated him.
Two days later his father returned. When he discovered under what circumstances his son had died, he said that justice had prevailed. The next morning, he once again took milk, went to the anthill, and praised the snake with a loud voice. A good while later the snake appeared in the entrance to the anthill, and said, "You come here from greed, letting even your grief for your son pass by. From now on friendship between you and me will no longer be possible. Your son, in his youthful lack of understanding, struck me. I bit him. How can I forget the club's blow? How can you forget the pain and sorrow for your son?" After saying this she gave him a costly pearl for a pearl chain, said, "Do not come back," and disappeared into her cave.
The Brahman took the pearl, cursed his son's lack of understanding, and returned home.

The Dog That Went Abroad

In a certain place there once lived a dog by the name of Tschitranga, which means "having a spotted body." A lengthy famine set in. Because they had no food, the dogs and other animals began to leave their families. Tschitranga, whose throat was emaciated with hunger, was driven by fear to another country. There in a certain city he went to a certain house day after day where, due to the carelessness of the housekeeper, many good things to eat were left lying about, and he ate his fill. However, upon leaving the house, other vicious dogs surrounded him on all sides and tore into him on all parts of his body with their teeth. Then he reconsidered his situation, and said, "It is better at home. Even during a famine you can live there in peace, and no one bites you to pieces. I will return to my own city."
Having thus thought it through, set forth to his own city. When he arrived there, all of his relatives asked him, "Tschitranga, tell us about where you have been. What is the country like? How do the people behave? What do they eat? What do they do?"
He answered, "How can I explain to you the essence of a foreign place? There are good things to eat in great variety, and housekeepers who do not keep watch! There is only one evil in a foreign country: You will be hated there because of who you are!"

The Brahman's Wife and the Mongoose

In a certain city there lived a Brahman by the name of Devasarman. His wife gave birth to a son, and then to a mongoose. Full of love for her children, she cared for the mongoose like a son, nursing him at her breast, rubbing him with salve, and so forth. However, she did not trust him, thinking that in keeping with the evil nature of his species he might harm her son.
As is rightly said: A son will bring joy to his parents' heart, even if he is uneducated, bad, malformed, foolish, and sinful. And as also is said: Sandalwood salve cools and soothes, but a son's embrace far excels sandalwood salve. The relationship with one's son is more important than that with a best friend, a good father, or any other person.
One day, after nicely tucking the boy into his bed, she took the water pitcher and said to her husband, "Listen, master, I am going to the pond to fetch water. You must protect our son from the mongoose."
After she departed, the Brahman went off somewhere to collect alms, leaving the house empty. In the meantime a black snake crept out of its hole and -- as fate would have it -- approached the boy's bed. However, the mongoose confronted this, his natural enemy, and fearing that it might kill his brother, the mongoose attacked the wicked snake, tore it to bits, and threw the pieces far and wide.
Proud of his valor and his face covered with blood, the mongoose approached the mother to tell her what had happened.
However, the mother, seeing his blood-spattered face and sensing his excitement, feared, "without doubt this evildoer has devoured our son." Driven by anger and without further investigation she threw the water-filled pitcher at the mongoose, killing the him instantly.
Paying no further attention to the mongoose, she rushed into the house where she found the boy still asleep. Near the bed she saw a large black snake, torn to bits. Then her heart was overcome with sorrow because of the thoughtless murder of her praiseworthy son, the mongoose, and she beat herself on the head, the breast, and her other body parts.
While this was happening the Brahman returned home with alms from wherever he had been begging.
"See there!" she cried, overcome with grief for her son, the mongoose. "Oh, you greedy one! Because you let greed rule you instead of doing what I told you to, you now must taste the fruit of your own tree of sin, the pain of your son's death."

The Fish That Were Too Clever

Two fish lived in a pond. Their names were Satabuddhi (having the understanding of a hundred) and Sahasrabuddhi (having the understanding of a thousand). The two of them had a frog for a friend, whose name was Ekabuddhi (having the understanding of one).
For a time they would enjoy friendly conversation on the bank, and then they would return to the water. One day when they had gathered for conversation, some fishermen came by just as the sun was setting. They were carrying nets in their hands and many dead fish on their heads.
When the fishermen saw the pond, they said to one another, "There seem to be a lot of fish in this pond, and the water is very low. Let us come back here tomorrow morning!" After saying this, they went home.
These words struck the three friends like a thunderbolt, and they took counsel with one another.
The frog said, "Oh, my dear Satabuddhi and Sahasrabuddhi, what shall we do? Should we flee, or stay here?"
Hearing this, Sahasrabuddhi laughed and said, "Oh, my friend, don't be afraid of words alone! They probably will not come back. But even if they do come back, I will be able to protect myself and you as well, through the power of my understanding, for I know many pathways through the water."
After hearing this, Satabuddhi said, "Yes, what Sahasrabuddhi says is correct, for one rightly says: Where neither the wind nor the sun's rays have found a way, intelligent understanding will quickly make a path. And also: Everything on earth is subject to the understanding of those with intelligence. Why should one abandon the place of one's birth that has been passed down from generation to generation, just because of words? We must not retreat a single step! I will protect you through the power of my understanding."
The frog said, "I have but one wit, and it is advising me to flee. This very day I shall go with my wife to another pond."
After saying this, as soon as it was night, the frog went to another pond.
Early the next day the fishermen came like servants of the god of death and spread their nets over the pond. All the fish, turtles, frogs, crabs, and other water creatures were caught in the nets and captured, also Satabuddhi and Sahasrabuddhi, although they fled, and through their knowledge of the various paths escaped for a while by swimming to and fro. But they too, together with their wives, fell into a net and were killed.
That afternoon the fishermen happily set forth toward home. Because of his weight, one of them carried Satabuddhi on his head. They tied Sahasrabuddhi onto a string and dragged him along behind.
The frog Ekabuddhi, who had climbed onto the bank of his pond, said to his wife, "Look, dear! Mr. Hundred-Wit lies on someone's head, and Mr. Thousand-Wit is hanging from a string. But Mr. Single-Wit, my dear, is playing here in the clear water."

The Two-Headed Weaver

In a certain place there lived a weaver by the name of Mantharaka, which means "the simpleton." One day, while weaving cloth, the wooden pieces on his loom broke. He took an ax, and set forth to find some wood. He found a large sissoo tree at the ocean's shore, and said aloud, "Now this is a large tree. If I fell it, I will have wood enough for all my weaving tools."
Having thus thought it through, he raised his ax to begin cutting. However, a spirit lived in this tree, and he said, "Listen! This tree is my home, and it must be spared in any event, because I like it here where my body can be stroked by the cool breezes that blow in from the ocean's waves."
The weaver said, "Then what am I to do? If I don't find a good tree, then my family will starve. You will have to go somewhere else. I am going to cut it down."
The spirit answered, "Listen, I am at your service. Ask whatever you would like, but spare this tree!"
The weaver said, "If that is what you want then I will go home and ask my friend and my wife, and when I return, you must give me what I ask for."
The spirit promised, and the weaver, beside himself with joy, returned home. Upon his arrival in his city he saw his friend, the barber, and said, "Friend, I have gained control over a spirit. Tell me what I should demand from him!"
The barber said, "My dear friend, if that is so then you should demand a kingdom. You could be king, and I would be your prime minister, and we two would first enjoy the pleasures of this world and then those of the next one. For they say: A prince who piously gives to others, achieves fame in this world, and through these good deeds, he will arrive in heaven, equal to the gods themselves."
The weaver spoke, "Friend, so be it! But let us also ask my wife."
The barber said, "One should never ask women for advice. They also say: A wise man gives women food, clothing, jewelry, and above all the duties of marriage, but he never asks for their advice. And further: That house must perish where a woman, a gambler, or a child is listened to. And: A man will advance and be loved by worthy people as long as he does not secretly listen to women. Women think only of their own advantage, of their own desires. Even if they love only their own son, still, he will serve their wishes."
The weaver spoke, "Even though this is true, she nonetheless must be asked, because she is subservient to her husband."
Having said this, he went quickly to his wife and said to her, "Dear one, today I have gained control over a spirit who will grant me one wish. Hence I have come to ask for your advice. Tell me, what should I ask for? My friend the barber thinks that I should request a kingdom."
She answered, "Oh, son of your excellence, what do barbers understand? You should never do what they say. After all, it is stated:A reasonable person will no sooner take advice from dancers, singers, the low born, barbers, or children, than from beggars.Furthermore, a king's life is an unending procession of annoyances. He must constantly worry about friendships, animosities, wars, servants, defense alliances, and duplicity. He never gets a moment's rest, because: Anyone who wants to rule must prepare his spirit for misfortune. The same container that is used for salve can also be used to pour out bad luck. Never envy the life of a king."
The weaver said, "You are right. But what should I ask for?"
She answered, "You can now work on only one piece of cloth at a time. That is barely enough to pay for the necessities. You should ask for another pair of arms and a second head so that you can work on two pieces of cloth at once, one in front of you, and one behind you. We can sell the one for household necessities, and you can use the money from the second one for other things. You will thus gain the praise of your relatives, and you will make gains in both worlds."
After hearing this he spoke with joy, "Good, you faithful wife! You have spoken well, and I will do what you say. That is my decision."
With that he went to the spirit and let his will be known, "Listen, if you want to fulfill my wish, then give me another pair of arms and another head."
He had barely spoken before he was two-headed and four-armed. Rejoicing, he returned home, but the people there thought that he was a demon and beat him with sticks and stones, until he fell over dead.
And that is why I say: He who cannot think for himself and will not follow the advice of friends, he will push himself into misfortune, just like the weaver Mantharaka.

The Broken Pot

In a certain place there lived a Brahman by the name of Svabhâvakripana, which means "luckless by his very nature." By begging he acquired a quantity of rice gruel, and after he had eaten what he wanted, there was still a potful left. He hung this pot on a nail in the wall above his bed. As night progressed, he could not take his eyes from the pot. All the while he was thinking:

This pot is filled to overflowing with rice gruel. If a famine should come to the land, then I could sell it for a hundred pieces of silver. Then I could buy a pair of goats. They have kids every six months, so I would soon have an entire herd of goats. Then I would trade the goats for cattle. As soon as the cows had calved, I would sell the calves. Then I would trade the cattle for buffalo. And the buffalo for horses. And when the horses foaled, I would own many horses. From their sale I would gain a large amount of gold. With this gold I would buy a house with four buildings in a rectangle.

Then a Brahman would enter my house and give me a very beautiful girl with a large dowry for my wife. She will give birth to a son, and I will give him the name Somasarman. When he is old enough to be bounced on my knee, I will take a book, sit in the horse stall, and read. In the meantime, Somasarman will see me and want to be bounced on my knee. He will climb down from his mother's lap and walk toward me, coming close to the horses hooves. Then, filled with anger, I will shout at my wife, "Take the child! Take the child!"

But she, busy with her housework, will not hear me. So I will jump up and give her a kick!

And, buried in his thoughts, he struck out with his foot, breaking the pot, and painting himself white with the rice gruel that had been in it. Therefore I say:

He who dreams about unrealistic projects for the future will have the same fate as Somasarman's father: He will find himself lying there painted white with rice gruel.

The Enchanted Brahman's Son

In the city of Radschagriha there lived a Brahman by the name of Devasarman. His childless wife wept bitterly whenever she saw the neighbors' children. One day the Brahman said to her, "Dear one, stop your grieving. Behold, I was offering a sacrifice for the birth of a son when an invisible being said to me in the clearest words, 'Brahman, you shall be granted this son, and he shall surpass all men in beauty and virtue, and good fortune shall be his.'"
After hearing this, the Brahman's wife was overjoyed, and she said, "Such promises must come true." In the course of time she became pregnant and gave birth to a snake. When her attendants saw it, they all cried out, "Throw it away!" However, she paid no attention to them, but instead picked it up, had it bathed, and -- filled with a mother's love toward her son -- laid it in a large, clean container, fed it milk, fresh butter, and the like, so that within a few days it had reached its full growth.
Once when the Brahman's wife witnessed the wedding feast of a neighbor's son, her eyes clouded over with tears, and she said to her husband, "You treat me with contempt, because you are not making any effort at all to arrange a wedding for my dear child!"
When he heard this, the Brahman said, "Honored one! To achieve that I would have to go to the depths of hell and beseech Pasuki, the King of Snakes, for who else, you fool, would give his daughter in marriage to a snake?"
Having said this, he looked at his wife with her exceedingly sad face, and -- for the sake of her love and in order to pacify her -- he took some travel provisions and departed for a foreign land. After traveling about for several months he came to a place by the name of Kukutanagara. There, as evening fell, he was received by an acquaintance, a member of his caste. He was given a bath, food, and every necessity, and he spent the night there.
The next morning he took leave and was preparing to set forth once again, when his host said, "What brought you to this place, and where are you going now."
The Brahman answered, "I have come to seek an appropriate bride for my son."
After hearing this, the host said, "If that is the case, then I have a very appropriate daughter. I have only respect for you. Take her for your son!"
Acting upon these words, the Brahman took the girl, together with her servants, and returned to his home city. However, when the inhabitants of this region saw the girl, who was beautiful, gifted, and charming beyond comparison, they opened their eyes wide with love for her, and said to her attendants, "How could you deliver such a jewel of a girl to a snake?"
After hearing this, all of her companions were horrified, and they said, "She must be rescued from the murderer set up by this old Brahman."
Hearing this, the maiden said, "Spare me from such deception, for behold: Kings speak but once. The virtuous speak but once. A girl is promised in marriage but once. These three things happen but once. And further: Not even wise men and gods can change the decrees of fate. And moreover, my father shall not be reproached for his daughter's falseness."
Having said that, and with the permission of her attendants, she married the snake. She showed him proper respect, and served him milk and similar things.
One night the snake left his large basket, which was kept in the bedroom, and climbed into his wife's bed. She cried out, "Who is this creature, shaped like a man?"
Thinking it was a strange man, she jumped up.
Shaking all over, she tore open the door and wanted to rush away, when the snake said, "Dear one! Stay here! I am your husband!"
To convince her of this, he once again entered the body that he had left in the basket, then left it again. He was wearing a magnificent diadem, rings, bands, and bracelets on his upper and lower arms. His wife fell at his feet. Then together they partook of the joys of love.
His father, the Brahman, had arisen earlier than his son, and saw everything. He took the snake skin, which was lying in the basket, and burned it in the fire, saying, "He shall not enter it again." Later that morning, filled with joy, he presented his son to his family. Vitalized by unending love, he became an ideal son.

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